Banrockburn: Mei 2010

Senin, 31 Mei 2010

[L431.Ebook] Get Free Ebook "Mouths on Fire with Songs": Negotiating Multi-Ethnic Identities on the Contemporary North American Stage (Cross/Cultures), by Caroline De

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This book, the first cross-cultural study of post-1970s anglophone Canadian and American multi-ethnic drama, invites assessment of the thematic and aesthetic contributions of this theater in today's globalized culture. A growing number of playwrights of African, South and East Asian, and First Nations heritage have engaged with manifold socio-political and aesthetic issues in experimental works combining formal features of more classical European dramatic traditions with such elements of ethnic culture as ancestral music and dance, to interrogate the very concepts of theatricality and canonicity. Their "mouths on fire" (August Wilson), these playwrights contest stereotyped notions of authenticity. In�spired by songs of anger, passion, experience, survival, and regeneration, the plays analyzed bespeak a burning desire to break the silence, to heal and empower. Foregrounding questions of hybridity, diaspora, cultural memory, and nation, this comparative study includes discussion of some twenty-five case studies of plays by such authors as M.J. Kang, August Wilson, Suzan-Lori Parks, Djanet Sears, Chay Yew, Padma Viswanathan, Rana Bose, Diane Glancy, and Drew Hayden Taylor. Through its cross-cultural and cross-national prism, "Mouths on Fire with Songs" shows that multi-ethnic drama is one of the most diverse and dynamic sites of cultural production in North America today.

Sales Rank: #6048088 in Books
Published on: 2013-06-28
Original language: English
Number of items: 1
Dimensions: 9.02" h x 1.06" w x 5.98" l, 1.75 pounds
Binding: Hardcover
426 pages

Review
De Wagter most productively examines how playwrights of color negotiate the boundaries of ethnic, national, and cultural identities. A major innovation of her study is its comparative and transnational exploration of how authors engage with difference and hybridity to challenge the status quo and imagine possible social transformations. Harry J. Elam, Jr., Professor of Drama, "Stanford University"
In her groundbreaking comparative study, De Wagter offers a detailed examination of contemporary multi-ethnic drama in Canada and the USA. As her perceptive cross-cultural analyses demonstrate, the North American stage can boast some of the most aesthetically sophisticated and politically vibrant theatre of our age. Marc Maufort, Professeur ordinaire, "Universite Libre de Bruxelles""

About the Author
Caroline De Wagter holds a doctorate in Modern Languages and Literatures from the Universite Libre de Bruxelles (Belgium) and an MA in Drama from Stanford University. She has published articles in critical collections and professional journals, and is the co-editor of "Old Margins, New Centers: The European Literary Heritage in an Age of Globalization" (2011) and "Signatures of the Past: Cultural Memory in Con-temporary Anglophone North American Drama" (2008)."

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Minggu, 30 Mei 2010

[Y647.Ebook] Free PDF The Spiritual Significance of Music, by Justin St. Vincent

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THE SPIRITUAL SIGNIFICANCE OF MUSIC is an exciting collection of exclusive interviews with many of the world's most visionary musicians and writers. A unique anthology that explores the dynamic relationship between Music and Spirituality, sharing incredible insights from their experience, knowledge, and wisdom. This book embraces the beauty and diversity of Music, providing readers with a tapestry of new thoughts on Music and Spirituality.

Justin St. Vincent has interviewed more than one thousand people, choosing over one hundred responses, to produce a cutting-edge and ground-breaking project for our music-minded generation. Includes exclusive interviews with: 1 Giant Leap, Daniel Bedingfield, Don Campbell, Cannibal Corpse, Sheila Chandra, Delirious?, Demon Hunter, Devo, DragonForce, Enthroned, Faith No More, Michael Franti, Jonathan Goldman, Gorgoroth, Guns N' Roses, Healing With Harmony, Iasos, Jefferson Starship, The Locust, Kevin Max, Metal Church, Mortification, My Dying Bride, Napalm Death, Ultra Nate, Petra, Pitchshifter, Ravi Shankar, Bob Sinclar, and Underoath.

Sales Rank: #1293298 in Books
Published on: 2009-12-01
Binding: Paperback
214 pages

Review
THE SPIRITUAL SIGNIFICANCE OF MUSIC is the kind of book that's good for everyone. Whether your relationship with music is as a music maker or an avid listener, open to any page and there's something that will inspire you. The words are grounding and stabilizing, uplifting and enlightening, and carry a message that can be applied to anything in life, not just music. It's a great pleasure to be part of this book, and I thank Justin St. Vincent for inviting me to join this diverse and talented group of contributors all sharing their stories, points of view, and a piece of themselves. --- Ron 'Bumblefoot' Thal, guitarist in Guns N' Roses

I love THE SPIRITUAL SIGNIFICANCE OF MUSIC because it shows what professional musicians and songwriters thought about music and spirituality. Spirituality is the only truly important thing in life and music is a powerful doorway into the mysterious and holy things of our universe. Everyone who considers themselves a musician will enjoy this book, regardless of their spiritual stance. --- Seth Hecox, guitarist and keyboards in Becoming The Archetype

THE SPIRITUAL SIGNIFICANCE OF MUSIC is one of the most exciting concepts put together. It fusions the different ideas from�all walks of people engulfed in the same purpose, feeling their soul through music. It's amazing to read so many opinions from musicians and producers with such varied styles of music being connected in the same thoughts. Justin St. Vincent's hard work has given us a chance of studying a concept in our modern world which has been with us since ancient times, THE SPIRITUAL SIGNIFICANCE OF MUSIC. --- Danny Felice, guitarist, mandolin player, and vocalist in Breed 77

About the Author
JUSTIN ST. VINCENT is the Director and Founder of Xtreme Music, where Music meets Spirituality. He was born in New Zealand, lived in Hong Kong, the United Kingdom, and North America, and is passionate about music from around the world. Website: musicandspirituality.com

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5 of 5 people found the following review helpful.
That Grand Old Catch 22 - The Spiritual Significance of Music
By luke oram
"The spiritual significance of music is a subject so deep and full of subjective sinkholes it would require a book."

Gerald Casale, Devo

`Dialogue' has become one of our century's biggest buzz-words. The corporates have stolen it for their keystones and politicians have started using it in lieu of human shields.
Philosophically speaking though, getting Socratic's always been a good way of chipping away at the fundamentals. If it's mankind's prerogative to explore the unknown, then a good round of circular questioning is the best place to start.
The concept behind The Spiritual Significance of Music is simple enough; an array of artists, musicians and professionals brought together to provide commentary on the question "What do you believe is the spiritual significance of music?"
Most of them have at it. Anyone who has had experience with a musician or creative will know that they have opinions in spades - a good thing, considering they are some of the world's foremost voices.
One of editor Justin St. Vincent's masterstrokes was in taking steps to avoid TSSOM being some kind of one-sided homily from the Christian Music Scene. To this end, the artists interviewed are from a wide spectrum of believers, atheists and cynics, with a few Satanists thrown in for good measure.
The leading question too, is deceptively brilliant. St. Vincent gets no objections for leading the witness. It's genius in it's vagueness; there's no mention of God, instead leaving the subject to come to their own conclusions on the meaning of spirituality itself, and introducing the question within a question.
Many of the artists start there. "First of all, what is spirituality?" asks Sander Gommans of After Forever, waxing Socratic. The views of the artists are fascinating in their diversity; some discount the term in favour of a Powerful Emotional Response, others give names; whether that name be God, Allah, Yahweh, Satan, or some kind of universal force, "something substantial in the universe". The honourable Ravi Shankar makes mention of "The highest mental orgasm", which is a poetry all in itself.
As far as the link between spirit and music, the dialogue descends further into the rabbit-hole. Which is not surprising since explaining a tangible link between the invisible realm and the tangible has been keeping church and science at odds for centuries. Perhaps trying to find a link between the spirit and the song is an equally difficult endeavour.
The artists are a real banquet on this one. A surprising amount of them head for the realm of science as their first port of call; Daniel Beddingfield refers to the sound of the "Deep hum behind reality...particle and wave...the excitement of electrons", singer-songwriter Victor Crowl pays tribute to the "energy between the notes", while composer Peter Davison brings the big bang into play. Industrial dance producer J.S Clayden's piece is full of humanist and meta-physical argument and is a fascinating essay in leftfield.
Of course, there is plenty of standard Protestant argument when it comes to God and music - "Music was created by God, as was every instrument to be used to bring Him glory" says Sonic Flood's Rick Heil.
Again, St. Vincent's great masterstroke is at show here. The book is treated with great objectivity; every opinion gets its own weighting, and the reader is left with a challenging depth of opinion, without any kind of overarching proselytism. It seems that for every religious view, there is an equal and opposite view - Michael IX Williams is left to assert his view that spirituality is a completely subjective concept; comparing a group of religious fanatics to a group of Dinosaur Jr fans squabbling over J. Mascis lyrics.

One thing that becomes clear within TSSOM is the chasm between the language used by the overtly Christian artists and the others. A fascinating subtext in this whole book is the fact that the contributors without a clearly stated or defined religion seem to tackle the aspects of spirituality and music with a much wider lens - without any pre-conceived notions or definitions, they are willing to tackle the thing with wider arms than Christians. The Christian artists seem to be bound by a form of their own language, where `spirituality' becomes `God', `spiritual music' becomes `Worship'. They argue over semantics (Petra's John Schlitt - "I don't believe there is spiritual significance in music, but I do believe music is a powerful tool for a spiritual end")
To a certain extent, this makes their view come off as a little narrow. As a person with spiritual beliefs myself, I stop short of advocating some kind of universalism , but I definitely think that our language needs to change when we're exploring a matter so wide and expansive, otherwise we miss out on a powerful opportunity to grow our outlook. As the apostle Paul said to the Athenians, there's a lot to be said for communicating our views in the language of a wider world.

The dialogue within TSSOM is important. Because spirituality is a wide and often intangible thing. It encompasses dark and light, good and evil. It's not so much an explanation of the divine as our experience to it, and our reaction to it. It's a matter that was meant to conjure mystery, elude classification and for eternity. And like the rabbi says, it's a fool who thinks he can figure out the eternal mystery.

Luke Oram
[...]

4 of 4 people found the following review helpful.
Spirituality has many meanings...
By Beaulah Pragg
When I first agreed to review this, I had no idea what I was getting myself into - I thought that 'spirituality' might be a code word for Christianity and that I would be reading about gospel music or something. I was excited to find that 'spirituality' was defined in each interview as whatever it meant to that artist. For some, it was a communion with god, but for others, it was more obscure, a feeling of connectedness with other people or a direct line to emotion.

One of the ideas I really liked was that the space between the notes was just as important as the notes themselves. When I began listening to music for the spaces, I realized it was true. The difference for me between great music and just good is where they let you breathe - if they do at all. I love that music is a universal language that touches people on an emotional level, rather than an intellectual one. I have never met a person that doesn't like music itself (though obviously everyone has their own brand).

Reading The Spiritual Significance of Music is not like reading a novel. Each page is a new person, offering their little piece of wisdom about what music means to them. These perspectives open conversation, especially in a musically oriented family like mine. It's the sort of book that makes you suddenly think of four or five friends who really should read this (I have two lined up already). It's the sort of book that really should be a documentary like 'The Secret' or 'What the Bleep' because that way, you could listen to the music and hear the people speak, and I think it would be a moving experience.

A great book to buy, gift or pass around. A conversation that intigues me... after all, what is so special about music?

3 of 3 people found the following review helpful.
The Spiriual Significance of Music
By Michelle K. Malsbury
Justin St. Vincent, editor
The Spiritual Significance of Music
Xtreme Music, ISBN 978-0-473-15690-9
Non-Fiction-spirituality, religion, music, mind and body
214 pages
March 2010 Review for Bookpleasures
Reviewer-Michelle Kaye Malsbury, BSBM, MM
Review
Justin St. Vincent, editor for The Spiritual Significance of Music, is founder and director of Xtreme Music. He is a native of New Zealand and has lived in the UK, Hong Kong, and North America. (2010, p.213) New Zealand is now is choice of residence. For more information about Mr. St. Vincent please visit his web site [...].

While most when queried about the connection between music and spirituality might come back with something entirely religious the various people that Mr. St. Vincent has invited to participate in this book range from total religious experiences in creating, listening, or playing, music to more subtle and less concrete versions of the connection that one might get from music itself. The pool of experts he questions on this topic is vast and multidimensional in breadth of life/vocational experiences across this mystical musical industry.

Some of the more memorable excerpts, to me, are listed below: From guitarist/vocalist Sander Gommans from After Forever "The lyrics...do handle something bigger than ourselves: a force we cannot explain." (2010, p.6) Music therapist Kenneth Aigen says (p.7) "The creation of groove is a spiritual discipline because it requires focus and abandonment, body and mind, unison and variation, intention and surrender." Gonzo Sandoval, percussionist for Armored Saint, says that "We allow listeners to peek into our very soul." (p.13) Percussionist, Cyro Baptista writes that " ...it takes a lot of courage to make music from your heart, certainly more courage than getting a gun to make war." (p.22) Rand Bishop, author, defines that connection as "Nimble fingers, dexterous lips, powerful diaphragms, and sonorous throats give wings and fuel to music's flight." (p.29)

Those above are but a few of the quotes that stick out in my mind as defining the spirituality of music as asked by Justin St. Vincent in this book. Common threads that can be read across the people who participated in this book are that music can take the listener, musician, or writer to places where words cannot completely express: moving us to spiritual heights unlike anything else we are able to feel as humans: it is subjective in nature and resonates with each person differently. Many participants also say that music has the ability to change moods or actions across the entire socio-emotional spectrum. Music can evoke love and hate, depression and elation, religious and/or atheist like no other art form. Gerald Casale, bassist, vocalist, and co-founder for Devo said that "True spirituality seeks to re-unite a thread that connects all of us to the rest of life and, thus, brings us together." (p.52) Peijman Kouretchian, drummer for Girth, said that "Music...is an instantaneous sensory....decoding of spirit." (p.77) Kouretchian also adds that the more pure [paraphrase] the artist the more powerful the music.

The pages of this book are filled with opinions and thoughts on the topic of spirituality and music, but few can touch what Wendy Bartlett, director of Healing with Harmony, said "Maybe Heaven is not a place at all, but rather a feeling that awakens our Spirit because for that moment in time we are touched by music, we are one with our Maker." (2010, p.86) Thank you Justin St. Vincent for editing these many excerpts and combining them into a cohesive format for a thought provoking and insightful reading.

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Jumat, 28 Mei 2010

[V489.Ebook] Ebook Free Peru - Culture Smart!: The Essential Guide to Customs & Culture, by John Forrest, Julia Porturas

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Peru is associated with ancient civilizations, awe-inspiring Inca cities, ruthless conquistadores, spectacular Andean scenery, astonishing biodiversity, and colorful woven textiles. All true—but visitors will find a great deal more to Peru than this. The two distinctive cultures that first encountered each other five hundred years ago have, progressively, integrated. This process of mixing, however, raises questions about Peruvian identity. Peruvian society is divided between the wealthy, Westernized, coastal urban populations and the poorer, traditional, indigenous peoples, many of whom have migrated from the Andes to the cities. Since the flight of the discredited President Fujimori in 2000 there has been a surge of economic growth and development, and continuing social inequality. Peruvians are increasingly embracing consumerism, but for their happiness they still depend on each other, and the family is paramount. This new, updated edition of Culture Smart! Peru charts the rapid changes taking place in the country, including the election in 2011 of the left-leaning President Ollanta Humala, the third democratically elected president in a row. It describes how history and geography have shaped contemporary Peruvian values and attitudes. It provides insights into religious and public life, and reveals what people are like at home, in business, and in their social lives. Most Peruvians are laid-back and surprisingly calm and carefree, given the many uncertainties they face. They are outgoing and sociable. Get to know them, and they will respond with warmth and generosity.

Sales Rank: #516877 in Books
Published on: 2012-10-01
Original language: English
Number of items: 1
Dimensions: 6.71" h x .51" w x 4.50" l, .40 pounds
Binding: Paperback
168 pages

Review
Culture Smart! has come to the rescue of hapless travellers, Sunday Times Travel - ...the perfect introduction to the weird, wonderful and downright odd quirks and customs of various countries, Global Travel - ...full of fascinating, as well as common sense,

About the Author
John Forrest is a teacher and writer based in London. He first traveled to Peru in 1981, after graduating with a BA Comb.Hons in Geography and Statistics from Exeter University. He returned to Peru regularly to lead study tours and to research, write, and publish his own travel guide. He is a committee member of the Anglo-Peruvian Society and continues to visit Peru as Chairman of the Tambopata Reserve Society. Julia Porturas was born in Peru and studied at La Cat�lica University in Lima and Birkbeck College, London. She graduated with a BA Hons in Hispanic and Latin American Studies. In Peru, she worked for several years for a major state enterprise, and she is now an administrator in London.

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4 of 5 people found the following review helpful.
PERU-CULTURE SMART!: THE ESSENTIAL GUIDE to customs & culture
By kk
LOVE THESE $8 short and sweet BOOKS! The South Africa one was incredible in it's offering of tidbits.

this one, Peru, is a huge focus on the past history. in my opinion, too much. i am more interested in the current goings on as i am traveling there soon. would have liked more general infos on the demographics, the peeps, customs, the cultural niceties like what i should and should not be doing, wearing etc.

overall, a good place to start research ( well written ) but i think you would find the same info in any other guide book. so i guess i'd recommend skipping this one. For Peru scoop... go with your regular, favorite travel guide book/s.

0 of 0 people found the following review helpful.
Recommended, if heading to Peru!
By Molly Brown
Bought this as a gift for someone going to Peru with the PeaceCorp.
--Small size is perfect for pants or shirt pocket.
--Pages filled with USEFUL vocabulary & phrases.
--Appears to be easy to find what you need.
Recommended, if heading to Peru!

2 of 2 people found the following review helpful.
Good overview of Peruvian culture
By Annet Dragavon
I gave this book four starts because in covers a lot of aspects of Peru culture in a small book. It is a good introduction to Peru, but not recommended for someone looking for an in-depth discussion.

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Minggu, 23 Mei 2010

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Catalog #UE 33935.

Published on: 2008
Binding: Staple Bound

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Published on: 2015-08-08
Original language: English
Number of items: 1
Dimensions: 9.21" h x 1.31" w x 6.14" l, 2.28 pounds
Binding: Hardcover
618 pages

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0 of 0 people found the following review helpful.
Well-written and interesting, but if you can, get the original
By Tim
The book itself is great; it describes the mythology and history of each constellation, citing a number of sources and cultures. However, this copy, being the "classic reprint series", didn't do a great job of copying the original illustrations. If you can get an original copy for a similar price, you'll probably appreciate that more.

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Jumat, 21 Mei 2010

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Will be shipped from US. Brand new copy.

Published on: 2001-10-21
Binding: Paperback

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Jumat, 14 Mei 2010

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Superhero movies have gripped the imagination since the 1950s when the film version of Superman burst onto a scene now dominated by blockbuster events from Marvel and DC. Avengers, Iron Man, Dark Knight, Judge Dredd, Hellboy and the Rocketeer all make an appearance in this fully illustrated, nostalgia-driven, retro history. A concise introduction tracks the chronicle of modern popular culture and its manifestations in Comicons, fan art and the mass audiences for a once print-only phenomenon.

Sales Rank: #2781221 in Books
Published on: 2015-06-17
Original language: English
Number of items: 1
Dimensions: 9.13" h x .63" w x 8.00" l, 1.66 pounds
Binding: Hardcover
128 pages

About the Author
As a boy, Russ Thorne loved reading Fighting Fantasy gamebooks, playing Hero Quest and poring over issues of 'White Dwarf', admiring the cover art in the process. Later he studied English Literature and got to know Homer's heroes and a bit of Beowulf, before beginning a career as a writer and editor. Since then he's published books on tattoo art, body piercing and vampires and writes regularly for national newspapers including the Independent.

Pat Mills is a comics editor and writer who has played a vital role in British comics since the 1970s. He is perhaps best known for his dystopian comics, such as Marshal Law and Requiem Vampire Knight, for founding 2000 AD and for playing a crucial role in the creation of Judge Dredd.

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Selasa, 11 Mei 2010

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Published on: 2000-12-31
Binding: Hardcover

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Sabtu, 08 Mei 2010

[O735.Ebook] Ebook Download Sales and Statistical Forecasting Combined: Mixing Approaches for Improved Forecast Accuracy, by Snapp Shaun

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Companies a number of problems with forecasting, and typically these problems are explained as separate spheres -- so problems with statistical forecasting, and then problems with sales forecasting. This is one of the few books that focuses on how to integrate sales with statistical forecasting and is the only book that focuses on all of its attention on this one topic

Sales Rank: #1008216 in Books
Published on: 2014-12-14
Original language: English
Number of items: 1
Dimensions: 9.25" h x .26" w x 7.52" l, .49 pounds
Binding: Paperback
122 pages

From the Inside Flap
Table of Contents

Chapter 1: Introduction
Chapter 2 Where Demand Planning Fits within the Supply Chain Planning Footprint
Chapter 3: The Common Problems with Statistical Forecasting
Chapter 4: Introduction to Best Fit Forecasting
Chapter 5: Comparing Best Fit to Home Grown Statistical Forecasting Methods
Chapter 6: Sales Forecasting
Chapter 7: Sales Forecasting and CRM
Chapter 8: Conclusion

From the Back Cover
Instead of confusion regarding how to combine two of the most important types of forecasting, have your forecasting flourish from improved clarity on the topic.

In most companies the statistical and sales forecast are poorly integrated, and in fact most companies do not know how to effectively combine them. Strange questions are often asked such as "does the final forecast match the sales forecast?" without appropriate consideration to the accuracy of each input. Effectively combining statistical and sales forecasting requires determining which input to the forecast have the most "right" to be represented - which comes down to those that best improve forecast accuracy.

Statistical forecasts and sales forecasts come from different parts of the company, parts that have very different incentives. Forecast accuracy is not always on the top of the agenda for all parties involved in forecasting.

By reading this book you will:
· See the common misunderstandings that undermine being able to combine these different forecast types.

Learn how to effectively measure the accuracy of the various inputs to the forecast.
Learn how the concept of Forecast Value Add plays into the method of combining the two forecast types.
Learn how to effectively run competitions between the best-fit statistical forecast, homegrown statistical models, the sales forecast, the consensus forecast, and how to find the winning approach per forecasted item.
Learn how CRM supports (or does not support) the sales forecasting process.
Learn the importance of the quality of statistical forecast in improving the creation and use of the sales forecast.
Gain an understanding from both the business and the software perspective on how to combine statistical and sales forecasting.

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0 of 0 people found the following review helpful.
Excellent Guide To Better Business Forecasting
By Kevin Lintner
'Sales 7 Statistical Forecasting..." is an extremely enlightening book that offers a unique way of combining sales and statistical forecasting to provide more accurate forecasting. This book came along at a good time for me as I am just getting started launching a worldwide remote computer support business and I have no idea on how to collect data and forecast what regions and demographics to target to produce the most initial sales. i will be sing the advice and techniques in this book and I feel like I will have a good starting point.

0 of 0 people found the following review helpful.
This book is packed with great insight
By Mo Birch
Forecasting is not easy but is invaluable in business. This great book talks about combining both Sales and Statistical Forecasting to get more accurate results. As I’m not the most technical person I appreciated the author’s break-down of terms in the beginning of the book, made the rest of the read much easier. This is a very straight-forward guide book with great focus on the subject, no diversions and beating around the bush. Anyone working in a business that deals with supply and demand will find value in this book.

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Rabu, 05 Mei 2010

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Sales Rank: #7900660 in Books
Published on: 1992
Binding: Single Issue Magazine

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