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An essential handbook for students and professionals on writing eloquently, accurately, and originally about contemporary art
How to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs.In counseling the reader against common pitfalls―such as jargon and poor structure―Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk.
Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today. 34 illustrations and 64 Source Texts
- Sales Rank: #39208 in Books
- Published on: 2014-10-14
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .70" w x 5.70" l, .22 pounds
- Binding: Paperback
- 264 pages
Review
“With How To Write About Contemporary Art Gilda Williams has created an illuminating, engaging and urgent guide to contemporary art-writing. While this is clearly essential reading for arts students and those at the start of a career in arts writing or criticism , it is equally invaluable for anyone involved in the art world that needs to transmit information and ideas in written form about contemporary art. So that’s basically all of us.” (Hans Ulrich Obrist, co-Director, Serpentine Gallery)
“Finally. A book that teaches you how to write and think clearly about art. I can imagine this book inspiriting future generations to write legibly and intelligently art criticism, a field that's become too hermetic and convoluted for its own good. Revolutionary, radical and long overdue. Bravo!” (Kenneth Goldsmith, poet and founder, UbuWeb)
“A rare guide to writing practice that's also a wonderfully engaging read in itself, Gilda Williams's How to Write about Contemporary Art interweaves plainspoken advice on the practical nuts-and-bolts of art criticism with trenchant observations about the conditions of the profession, all delivered in the voice of a savvy, generous friend. With a long track record as both a writer for and editor at leading journals and publishing houses, Williams knows the field from both sides this valuable book engages not only the hows but, crucially, also the whys of art writing.” (Jeff Kastner, Editor, Cabinet magazine)
“Bless you, Gilda Williams, for reminding us that fear is the root of bad writing, and for showing us how to take courage. Art writing can be deep, accurate, surprising, and even beautiful―and with any luck, How to Write about Contemporary Art will spark a renascence of the deep, accurate, surprising, beautiful art writing we so badly need.” (Barry Schwabsky, art critic, The Nation)
“Artforum correspondent Williams applies lessons in graceful prose to the field of art writing… [She] excels when looking at excerpts from accomplished critics, including Rosalind Krauss and Walter Benjamin, and when giving nuts-and-bolts advice for crafting specific genres of art-world documents (catalogue essays, short news articles, academic essays, and the like) [This] how-to provides enough art-specific insights to cut through the garble so common in the field.” (Publishers Weekly)
“In outlining exactly how an auction catalogue differs from a museum’s wall label and a magazine review, down to the vocabulary and tone each should accommodate, Williams gives insight to the inner workings of very different industries: academia, auction houses and mainstream and professional press. Her systematic analysis of the current state of art writing is a first [and her] methodology is flawless.” (frieze)
“Fantastic... a straight-forward must-read for every writer, reader, artist and designer. Williams holds your hand, explaining why you need to do it, what you need to do, and how to do it.” (FullScream.com)
“Thrillingly clear ... a beautifully formed guide to writing [...] should be required reading across every creative discipline. Essential!” (Dressingtheair.com)
“A thoroughly sensible and accessible guide to writing that could almost be applied to any subject.” (artbookreview.com)
“Artforum correspondent Williams applies lessons in graceful prose to the field of art writing...[She] excels when looking at excerpts from accomplished critics, including Rosalind Krauss and Walter Benjamin, and when giving nuts-and-bolts advice for crafting specific genres of art-world documents (catalogue essays, short news articles, academic essays, and the like) [This] how-to provides enough art-specific insights to cut through the garble so common in the field.” (Publishers Weekly)
“Illuminates contemporary art writing, providing insights into what we write about when we write about art....[Williams] reenvisions what it means to be a professional art writer and outlines the methods, ethics and even the financing that could see the role of the writer codified and professionalized in a new and important way in the art world of tomorrow.” (Burnaway)
“Admirably practical and instructive. . . . Accessible, well-organized, and example-rich, How to Write About Contemporary Art provides a welcome refresher course for writers who might not have known they need one. . . . Williams clearly loves the craft of criticism. Rather than rag on examples of unfortunate critical prose, she smartly confines her excerpted examples to writing she admires, even adores. Like good art, the book, however basic, inspires you to want to write your own criticism.” (Hyperallergic)
About the Author
Gilda Williams is a London correspondent for Artforum and lecturer at Goldsmiths College and Sotheby’s Institute of Art, London. From 1994 to 2005 she was Editor and then Commissioning Editor at Phaidon Press. She is a former managing editor at Flash Art International and her writing has appeared in Tate Etc., Parkett, Art Monthly, Art in America and Time Out. Williams is author of The Gothic (2007) and has contributed to catalogues for exhibitions at the Whitechapel Art Gallery, London, the 48th Venice Biennale, and the Stedelijk Van Abbemuseum, Rotterdam, among others.
Most helpful customer reviews
11 of 11 people found the following review helpful.
Highly Recommended for Learning How to Write About Art
By S. Canzoneri
I bought this book at a shop in London last summer. Her writing is clear and very helpful, with a pleasant, encouraging voice. Recently another artist and I were slogging through the tedious process of writing statements to go with our submission packets responding to a call for proposals of solo exhibits. We both found this book a great help, as we drafted statements and critiqued one another's writing.
I've become an artist after pursuing other careers that required particular writing styles and language. Though I've been told I'm a good writer all my life, learning to master the kind of writing expected in the arts has been a challenge. This book is one of the best sources I've found for people like me, and my copy of the book is already well thumbed through.
I recommend paying more and getting the book in hard copy, rather than a Kindle edition. It's the kind of book you want to have in your hand, able to flip through pages, marking passages with Post It notes and bookmarks, as you write. The book itself is very well designed, printed on great paper, and just plain feels good in your hand. You won't get the aesthetic experience in a Kindle edition, and you won't be able to use it as effectively as a reference book. I say this as someone who does not have a knee-jerk negative reaction to e books; I use them a lot. But this is a book to have in hard copy.
6 of 8 people found the following review helpful.
Nothing could be simpler
By Lisa, Manila.
Succinct and sly, this how-to book is great training camp for all writers (and readers) of contemporary art lit, whether criticism or catalogue. Brilliantly organized too.
0 of 0 people found the following review helpful.
Could also be called "understanding art"
By A. James
A joy to read; insightful, educational, entertaining!
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