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The Breast, by Philip Roth
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Like a latter-day Gregor Samsa, Professor David Kepesh wakes up one morning to find that he has been transformed. But where Kafka’s protagonist turned into a giant beetle, the narrator of Philip Roth’s richly conceived fantasy has become a 155-pound female breast. What follows is a deliriously funny yet touching exploration of the full implications of Kepesh’s metamorphosis―a daring, heretical book that brings us face to face with the intrinsic strangeness of sex and subjectivity. “The Breast is terrific . . . inventive and sane and very funny. The trick which is the heart of the book is brilliant . . . and rich with meaning.”―John Gardner, The New York Times Book Review “Hilarious, serious, visionary, logical, sexual-philosophical; the ending amazes―the joke takes three steps beyond savagery and satire and turns into a sublimeness of pity. One knows when one is reading something that will permanently enter the culture.”―Cynthia Ozick
- Published on: 2015-08-18
- Formats: Audiobook, MP3 Audio, Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x .50" w x 5.25" l,
- Running time: 2 Hours
- Binding: MP3 CD
Review
"A radical, complex, and moving book...the best example yet of Roth's astonishing prowess when he is at the top of his talent and control." —Ted Solotaroff, Esquire
"A new shock world of sensual possibility.... Need one say again that Roth is an admirable novelist who never steps twice into the same river?" —Anthony Burgess
"The Breast is terrific...inventive and sane and very funny. The trick which is the heart of the book is brilliant...and rich with meaning." —John Gardner, The New York TImes Book Review
"Hilarious, serious, visionary, logical, sexual-philosophical; the ending amazes—the joke takes three steps beyond savagery and satire and turns into a sublimeness of pity. One knows when one is reading something that will permanently enter the culture." —Cynthia Ozick
From the Inside Flap
Like a latter-day Gregor Samsa, Professor David Kepesh wakes up one morning to find that he has been transformed. But where Kafka's protagonist turned into a giant beetle, the narrator of Philip Roth's richly conceived fantasy has become a 155-pound female breast. What follows is a deliriously funny yet touching exploration of the full implications of Kepesh's metamorphosis--a daring, heretical book that brings us face to face with the intrinsic strangeness of sex and subjectivity.
From the Back Cover
"A radical, complex, and moving book...the best example yet of Roth's astonishing prowess when he is at the top of his talent and control." —Ted Solotaroff, Esquire
"A new shock world of sensual possibility.... Need one say again that Roth is an admirable novelist who never steps twice into the same river?" —Anthony Burgess
"The Breast is terrific...inventive and sane and very funny. The trick which is the heart of the book is brilliant...and rich with meaning." —John Gardner, The New York TImes Book Review
"Hilarious, serious, visionary, logical, sexual-philosophical; the ending amazes—the joke takes three steps beyond savagery and satire and turns into a sublimeness of pity. One knows when one is reading something that will permanently enter the culture." —Cynthia Ozick
Most helpful customer reviews
7 of 7 people found the following review helpful.
Undone
By JMack
Being a fan of Kafka's work as well as Roth, I was intrigued by this quite bizarre concept. As I read the book it not only reminded me of Kafka's "Metamorphisis", but it also brought to mind Dalton Trumbo's "Johnny Got His Gun" with its theme of the loss of self.
This book is designed to be somewhat of a parody of "Metamorphisis", yet it takes Kafka's story from a different angle. While Kafka's story focuses on a general theme of isolation and loneliness, Roth further develops his recurring character Robert Kepesh's sense of sexual frustration. Along the way, Kepesh struggles with whether he really is a breast while being visited by Claire, his father, and a less than sympathetic colleague. With these visits, he tries to accomodate his new status with continuing a normal life. Yet we never seem to grasp the motive or reason for Kepesh's change.
"The Breast" is certainly a strange work in the scope of Philip Roth's writing. Many who enjoy his other works may be repulsed by the image of this book. While it is certainly not a recognized as some of this other writings, I believe it is near the pinnacle of his list of works.
9 of 10 people found the following review helpful.
"It Began Oddly"
By Matthew Weaver
"As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect."
- opening sentence of "The Metamorphosis," by Franz Kafka Gregor had it easy compared to Professor David Kepesh, a college professor who wakes up one morning to find he has been transformed into a gigantic breast, in Philip Roth's aptly-titled "The Breast."
"It began oddly," Roth starts the 89-page book, and from the opening sentence readers are plunged into the new world of Kepesh.
Refreshingly enough, Roth refrains from turning "The Breast" into an extended pornographic joke. Instead, he spends his time exploring David's state of mind- how would you feel if you suddenly transformed into a giant mammary gland?- which makes for an interesting psychological drama.
First, David describes the experience of being a breast as though he does not quite believe it himself: Is it all a dream? How is he able to communicate with the others around him? Where'd his face go?
Later, David's mentality changes, first to a perverted interest in a female nurse who washes him, then utter paranoia that he is under constant surveillance while in his hospital room, and finally a blatant refusal to accept his condition and the belief that he has gone mad.
Things degenerate to the point where Kepesh believes he cannot hear his doctors' actual diagnoses; because of his "insanity" he only hears what he wants to hear.
Throughout all this, we see how David's wife, Claire, deals with her husband's new state, as well as the reactions from his father, his doctors and nurses, and his mentor, who collapses in giggles at the sight of David the Breast.
"The Breast" is one big fat Franz Kafka admiration camp, where all the questions about
"The Metamorphosis" apply. Is David really a breast? Or is he mentally insane? Is he really being watched?
But the Kafka homage doesn't end there. Kepesh mentions strained relations with his father. Gregor's daddy wasn't a picnic either. Kepesh also calls the two hairs growing from his nipple his "antennae."
At one point, David even comments that most of the characters' names begin with the letter "K".
To which his doctor, Dr. Klinger, replies, "The alphabet only has twenty-six letters. And there are four billion of us in need of initials for purposes of identification."
It's a smart book, one's that's certainly different from the usual literary offerings. It's certainly a concept film director Spike Jonze should contemplate following "Being John Malkovich" up with.
It's a wild, short ride of a tale and one worth taking just for the sheer spectacle of it all.
6 of 7 people found the following review helpful.
Identifying with the absurd
By Bomojaz
What should David Kepesh make of the fact that he's been transformed into a human breast? That's the premise of this Kafkaesque short novel (perhaps better thought of as a long short story). And of course as Kepesh deals with his own identity crisis (after the to-be-expected "why me!?" outburst, he questions the nature of reality, thinks he might just be insane, and finally is forced to face the fact that he indeed is a breast), other characters must deal with his transformation as well. Some of the most humorous scenes involve his academic colleague sending him tapes of "Hamlet" and his father acting as if his son is just suffering from a temporary illness. Although carrying it too far into the extreme, Roth's point in the book is that nothing in life is a sure bet, and that the totally absurd often becomes one's reality and must be accepted as such. Point well taken, but as a novel there isn't much else going on besides Kepesh accepting and internalizing this single idea, which makes it better thought of as a short story. Good, but not a major Roth achievement.
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